Art Dubai Artistic Director Pablo del Val Is Juggling Two Art Fairs, and Dancing With His Partner on FaceTime

Just before the close of Art Dubai last week, which had its first in-person edition since its 2020 show was scuttled, we caught up with Pablo del Val to hear about what he was doing for the show, and what he’s been doing in the past year.

What are you working on right now?

I’m working on the current [in-person] edition of the Art Dubai 2021 art fair. It will be the first major art fair to take place after the first lockdown, almost one year ago. We’re simultaneously preparing for the 2022 edition of the fair.

Walk us through the when, where, and how of your approach to this project on a regular day.

I’m based between London and Dubai. My day has no set hours. In London it starts with an early walk with Pía, my white mini schnauzer. When I’m in Dubai, when weather permits, I always walk to the office, a three-mile walk.

My mornings set my state of mind and allow me to decide priorities and bring light to the pending answers I have from the previous day. I tend to be in limbo thinking and rethinking, so I need to activate different systems to get back to reality.

What is your favorite part of your house and why?

The deck of my living room enjoying the quietness of the adjoining St George’s Gardens in Bloomsbury.

Pablo del Val's deck. Courtesy Pablo del Val.

Pablo del Val’s deck. Courtesy Pablo del Val.

What’s your favorite work of art in the house and why?

Elena del Rivero’s wedding present. My sister from another mother is a magnificent artist.

What was the last thing that made you laugh out loud?

When I FaceTime with my partner. We were rehearsing a Tik Tok performance inspired by Anne Imhof meets Madonna.

Are there any movies, music, podcasts, publications, or works of art that have made a big impact on you recently? 

Lynette Yiadom-Boakye’s exhibition at Tate Britain. It was fantastic to remember the importance of paintings. Michael Rakowitz’s exhibition at the Jameel Arts Center in Dubai was a great way to show how an artist can magically connect contemporary issues and pop culture with history.

I’ve been walking in London with my dog and discovering so many things that tend to be unnoticed: Barbara Hepworth’s sculpture on the facade of the John Lewis building, the Henry Moore facade on the Time Life Building on New Bond Street, and the sculptures by Sir Charles Wheeler at the Tower Hill Memorial. The pandemic has taught us that we take so many things for granted!

Are these any causes you support that you would like to share?

I’m particularly supportive of initiatives against bullying, especially shelters that provide a safe and secure environment for children that have been victims of bullying in their homes.

What’s going on in the kitchen these days? Any projects? And triumphs or tragedies?

Diet, diet, diet. No red meat, alcohol, deep-fried foods, and so on. I enjoy the luxury of fresh vegetables coming directly from a Mediterranean vegetable patch. And always fresh grilled fish. I am trying to age gracefully.

Pablo del Val is a big fan of fresh fish. Courtesy Pablo del Val.

Pablo del Val is a big fan of fresh fish. Courtesy Courtesy Pablo del Val.

Which two fellow art-world people, living or dead, would you like to convene for dinner, and why?

Tom Burr, because he is one year older than me and every time I see a work by him, I shiver. I would invite him along with my grandmother. She was an art historian, the authority on Francisco de Zurbarán, a collector and a patron of the Prado Museum. She passed away when I was 17 and I miss conversations with her.

The past and the present would be a very exciting combination and totally surreal. My grandmother was also an amazing cook. She even learned Danish to understand a recipe.

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FIAC’s Digital Edition Clicks With Buyers, Thanks to a Curated Approach and a ‘Chance Encounter’ Button That Emulates the Fun of IRL Fairs

There’s been no shortage of grumbling about the never-ending parade of virtual art fairs and about how “online viewing rooms” (or OVRs) are, really, just another website. Nevertheless, dealers and collectors alike appeared this week to be enthusiastically embracing the virtual edition of the high-profile French fair known as FIAC (Foire Internationale d’Art Contemporain).

The VIP preview days started on March 2 before the fair “opened” to the broader public on March 4. (It runs through Sunday, March 7.) After a full-year of lockdown, it appears both organizers and exhibitors have been stepping up their game when it comes to online presentations.

In addition to user-friendly features that allow for searching by artist, gallery, or title, viewers can sort and filter works by price and opt to see works with or without prices in order to “browse as collectors or as art lovers,” according to a statement.

A new feature, a button dubbed “chance encounter,” generates a random artwork each time it is clicked. The goal is to recreate “the sense of surprise discovery as at an in-person fair.”

Screenshot of FIAC's 'Chance Encounter' feature in action.

Screenshot of FIAC’s ‘Chance Encounter’ feature in action.

Galleries also have the option of changing up the works on view in the course of the fair, including labeling works as sold where applicable. In addition, FIAC raised the game by having five international curators each present their own selection of artworks from the participating galleries.

FIAC’s first-ever virtual edition “kick-started this year’s art fair calendar,” Hauser & Wirth president Iwan Wirth told Midnight Publishing Group News. “Collectors have moved quickly to secure exceptional works by our master artists with our first day sales so far totaling over $5 million.”

The gallery’s sales included works by Louise Bourgeois, George Condo, Mark Bradford, Charles Gaines, and Phyllida Barlow. FIAC’s special curators’ selection included a new work by Nicole Eisenman and a body print made in the 1970s by David Hammons, noted Wirth. Works sold ranged in price from $25,000 to over $2.2 million.

Charles Gaines’s Numbers and Faces: Multi-Racial/Ethnic Combinations Series 1: Face #16, Naoki Sutter-Shudo (Japanese/French/Swiss German) (2020) sold for $350,000. The top price for a work sold by the gallery was $2.2 million for Condo’s painting Two Hippies (2020).

Barlow’s mixed-media untitled: smallmodernart, 7; 2020 lockdown 7 (2020) sold for $25,000. Bourgeois’s 2009 gouache on paper Pregnant Woman went for $110,000.

Galeria Nara Roesler, which operates branches in Rio de Janeiro, Sao Paulo, and New York, opted to create a booth with just two artists, a “dialogue” between late Brazilian painter Abraham Palatnik and French artist Xavier Veilhan.

Abraham Palatnik, <i>W-533</i> (2014). Image courtesy Nara Roesler.

Abraham Palatnik, W-533 (2014). Image courtesy Nara Roesler.

“The presentation juxtaposes the work of two artists from different generations and backgrounds, with widely different practices in formal, conceptual, and technical terms,” according to a statement. Co-owner Daniel Roesler confirmed the sale of Palatnik’s W-533 by the end of the first public viewing day. The asking price was $100,000.

Galerie Thaddaeus Ropac bolstered its FIAC OVR with an IRL element by displaying some of the works highlighted in its online presentation at its Paris space.

“This year, we are contributing to the FIAC online viewing room with a selection of the highlights from our anniversary exhibition ‘30 Years in Paris,” director Sévérine Waelchli explained to Midnight Publishing Group News via email. “In order to celebrate this exceptional occasion, artists such as Anselm Kiefer, Antony Gormley, Georg Baselitz, Lee Bul, and Alex Katz have participated with new and outstanding works now presented at FIAC.”

The buzz seemed to help. Early on in the first preview day, the gallery sold a vivid Alex Katz portrait, Vivien Vertical 1 (2020), for $650,000, as well as an Antony Gormley steel figural sculpture, OPEN INCH (2018), for $557,000 (£400,000)

Alex Katz, <i>Vivien Vertical 1</i> (2020). Image courtesy the artist and Thaddaeus Ropac

Alex Katz, Vivien Vertical 1 (2020). Image courtesy the artist and Thaddaeus Ropac

By the end of the second preview day, March 3, at least ten additional sales were reported.

Frank Elbaz (of Paris and Dallas) sold: a work by Mungo Thomson to a Chinese museum for $80,000; a work by Bernard Piffaretti to an Austrian collector for $58,000 (€48,000); and a work by Kenjiro Okazaki to a Chinese foundation for $7,500.

Galerie Chantal Crousel reported selling a painting by Jean-Luc Moulène for $66,000 (€55,000), a large photo by Wolfgang Tillmans for $120,000 (€100,000), and a sculpture by David Douard for $18,000 (€15,000).

David Zwirner sold four works on paper by Luc Tuymans at prices ranging from $75,000 to $150,000.

And Xavier Hufkens reported selling out its online booth by the end of the first preview day with works ranging in price from $15,000 to $40,000.

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