Emerging

Phillips London Just Set Nearly 20 Auction Records for Emerging Artists in Its $8.8 Million ‘New Now’ Sale


Phillips’s “New Now” contemporary art sale in London on July 13, which featured an eclectic mix of artworks by emerging, buzzed-about artists alongside established blue-chip names like Andy Warhol, Banksy, and KAWS, pulled in a sturdy £6.4 million ($8.8 million), the highest total for a Phillips London sale in the category.

The intermingling of well-established with new names in a single auction tends to lead to a clear split between the top prices, with the more recognizable stars bringing in more cash.

But the Phillips sale was something of an exception: while the top lots of the night were by Warhol and KAWS, much buzzed-about figurative artists like Genieve Figgis also made big splashes, and nearly 20 auction records were set for living artists, including Josh Smith, Ryan Gander, and Oli Epp. 

Andy Warhol Flowers (1964-65). Image courtesy Phillips.

Andy Warhol Flowers (1964-65). Image courtesy Phillips.

Of 224 lots offered, 198, or 86 percent, were sold. By value, the auction was 94 percent sold, a reflection of the number of lots that brought over-estimate prices. 

“The strength of the market was demonstrated through the enthusiasm and depth of bidding from bidders across 48 countries worldwide,” said Simon Tovey, the London-based head of the sale. He noted that six artists made their debut onto the secondary market.

The top lot was Warhol’s Flowers (1964–65), a classic image by the artist, which sold for a mid-estimate £1.35 million ($1.9 million) with premium.

The second-highest, though far lower, price was for an untitled painting by KAWS featuring Star Wars character C3P0 sporting a signature KAWS animated head with X’s for eyes. It sold for £352,800 ($488,804), just a notch over the high £350,000 estimate.

Banksy’s Love Is In The Air screenprint (2003), depicting one of the artist’s best-known images (a masked figure about to launch a bouquet of flowers as though it were a molotov cocktail) sold for £214,200 ($296,774), also meeting its estimate including the premium. (Final prices include buyer’s premium unless otherwise noted; estimates do not.)

A new record was set for Josh Smith, an artist who works with collage, sculpture, and printmaking in a style that mixes abstraction and figuration. Though he first became recognized for canvases that depicted his own name in expressive loops and swirls, many of the recent works are of Expressionist-style palm trees against sunset backdrops.

Oli Epp Whistleblower (2017). Image courtesy Phillips.

Oli Epp Whistleblower (2017). Image courtesy Phillips.

An untitled example of this subject matter from 2014 sold for a record £214,200 ($297,000) today, clearing the high £150,000 estimate by a wide margin. The previous record of $262,500 was set in May 2019, at Sotheby’s New York, also for a palm tree and sunset image.

Whistleblower (2017), a painting by Oli Epp, a London-based artist known for his deformed and quirky figures, shattered its modest estimate of £10,0000 to £15,000 to sell for £144,900 ($200,800), and was the seventh-highest price of the night.

The sale featured a number of African artists and artists of the African diaspora, some of whose works were sold to benefit the Africa First Artist Residency Program, with almost £220,000 ($305,000) raised in total. 

As part of this group, a record was set for Simphiwe Ndzube, who is originally from Cape Town and is based in Los Angeles. Figure With a Whip Leg (2019) sold for £37,800 ($52,372).

Ndzube’s work is inspired by the South African working-class Black men’s tradition of swenking, informal competitions that are part fashion show and part dance-off. He appeared on Midnight Publishing Group News’ 2018 list of Armory Show artists to watch.

Zimbabwean artist Moffat Takadiwa’s Land of Money and Honey (2017), an assemblage of metal bottle caps and plastic on plastic cord, sold for a record £12,600 ($17,457). 

Outside of that group, there were a number of works by African artists painting in the last half decade that were sold from galleries on the primary market not long ago.

Josh Smith Untitled (2014). Image courtesy Phillips.

Josh Smith Untitled (2014). Image courtesy Phillips.

These included a painting by Zimbabwe-born, South African artist Kudzanai-Violet Hwami, KWEKWE x HARARE x CAPETOWN WHEREVER YOU’RE FROM (2015), which sold for £81,900 ($113,000), far above the high £50,000 estimate. Meanwhile, Lady in Orange (2020) by Nigerian artist Chiderah Bosah, which was acquired directly from the artist by the consigner, sold for a double estimate £17,460 ($24,000).

The sale also featured a special charitable component organized by fashion designer Stella McCartney, who, during lockdown, reached out to 26 artists, colleagues, and friends to select and visualize letters from the alphabet to create a “McCartney A to Z Manifesto.”

Each artist was given absolute freedom to reimagine their own letter and to select their own charitable cause. Hajime Sorayama selected Médecins Sans Frontières Japan and Cindy Sherman supported Planned Parenthood.

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The Baltic Triennial Has Brought Together Some of Europe’s Most Promising Emerging Talents—See Images Here


The Baltic, a region typically seen as encompassing Estonia, Latvia, and Lithuania, has always boasted a dynamic art scene in Europe. One of its foremost contemporary art exhibitions, the Baltic Triennial, taps into that landscape of talent every three years—its 14th edition just opened this June in Vilnius, Lithuania.

Since 1979, the Baltic Triennial has brought together these nations’ diverse yet overlapping art scenes, which were then still a part of the former Soviet Union until its dissolution in 1991. As such, the exhibition has long straddled a shifting notion of East and West, offering a unique perspective on Europe.

Appropriately then, this year’s exhibition, which has brought together more than 60 artists from the region and from Central and Western Europe has been organized under the title, “The Endless Frontier.”

Zsofia Keresztes at the Contemporary Art Center, Vilnius, for the Baltic Triennial 14 "The Endless Frontier." Photo: Ugnius Gelguda.

Zsofia Keresztes at the Contemporary Art Center, Vilnius, for the Baltic Triennial 14 “The Endless Frontier.” Photo: Ugnius Gelguda.

Helmed by Valentinas Klimašauskas, curator of the Latvian pavilion at the 2019 Venice Biennale, and Portugese curator João Laia, chief curator of the Museum of Contemporary Art Kiasma in Helsinki, the show is anchored at the Contemporary Arts Center in the historic center of Vilnius, but spirals outward across various project spaces through the city. Each invited space developed their own autonomously curated projects that overlapped in some way with the core exhibition of the Contemporary Arts Center.

“The Endless Frontier” offers a compelling survey of young and emerging artistic talents, featuring works by Flo Kasearu, Zuzanna Czebatul, and Klara Hosnedlova in the main concourses of the Contemporary Arts Center. Dreamy surrealist paintings and small sculptures from Polish painter Tomasz Kowalski takes over the project space Swallow.

At Rupert, Lithuania’s prominent international artist residency, a group show curated by
Adomas Narkevičius features new works by Kosovo-born artist Flaka Haliti, Karol Radziszewski from Poland, and Finnish artist Jaakko Pallasvuo alongside two historically overlooked artists from Lithuanian’s postwar art scene, photographer Virgilijus Šonta and abstract painter Juta Čeičytė.

The Baltic Triennial 14: The Endless Frontier is on view until August 15, 2021. See images below.

Baltic Triennial 14 “The Endless Frontier.” Exhibition performance “Who are you?”, Žygimantas Kudirka and felicita at Atletika. Photo: Andrej Vasilenko.

Natalia LL at the Contemporary Art Center, Vilnius, for the Baltic Triennial 14 "The Endless Frontier." Photo: Ugnius Gelguda.

Natalia LL at the Contemporary Art Center, Vilnius, for the Baltic Triennial 14 “The Endless Frontier.” Photo: Ugnius Gelguda.

Klara Hosnedlova at the Contemporary Art Center, Vilnius, for the Baltic Triennial 14 “The Endless Frontier.” Photo: Ugnius Gelguda.

Karol Radziszewski at the Contemporary Art Center, Vilnius, for the Baltic Triennial 14 "The Endless Frontier." Photo: Ugnius Gelguda.

Karol Radziszewski at the Contemporary Art Center, Vilnius, for the Baltic Triennial 14 “The Endless Frontier.” Photo: Ugnius Gelguda.

Flo Kasearu at the Contemporary Art Center, Vilnius, for the Baltic Triennial 14 "The Endless Frontier." Photo: Ugnius Gelguda.

Flo Kasearu at the Contemporary Art Center, Vilnius, for the Baltic Triennial 14 “The Endless Frontier.” Photo: Ugnius Gelguda.

Works by Zuzanna Czebatul, Jura Shust, and Dominika Trapp at the Contemporary Art Center, Vilnius, for the Baltic Triennial 14 "The Endless Frontier." Photo: Ugnius Gelguda.

Works by Zuzanna Czebatul, Jura Shust, and Dominika Trapp at the Contemporary Art Center, Vilnius, for the Baltic Triennial 14 “The Endless Frontier.” Photo: Ugnius Gelguda.

Works by Flaka Haliti, Zsofia Keresztes, Czebatul, and Danutė-Kvietkevičiūtė at the Contemporary Art Center, Vilnius, for the Baltic Triennial 14 "The Endless Frontier." Photo: Ugnius Gelguda.

Works by Flaka Haliti, Zsofia Keresztes, Czebatul, and Danutė-Kvietkevičiūtė at the Contemporary Art Center, Vilnius, for the Baltic Triennial 14 “The Endless Frontier.” Photo: Ugnius Gelguda.

Works by Agnieszka Polska and Voitech Kovarik at the Contemporary Art Center, Vilnius, for the Baltic Triennial 14 “The Endless Frontier.” Photo: Ugnius Gelguda.

Works by Emilija Skarnulyte Polska and Voitech Kovarik at the Contemporary Art Center, Vilnius, for the Baltic Triennial 14 “The Endless Frontier.” Photo: Ugnius Gelguda.

Alex Baczynski Jenkins at the Contemporary Art Center, Vilnius, for the Baltic Triennial 14 "The Endless Frontier." Photo: Ugnius Gelguda.

Alex Baczynski Jenkins at the Contemporary Art Center, Vilnius, for the Baltic Triennial 14 “The Endless Frontier.” Photo: Ugnius Gelguda.

Aleksandra Domanović at the Contemporary Art Center, Vilnius, for the Baltic Triennial 14 "The Endless Frontier." Photo: Ugnius Gelguda.

Aleksandra Domanović at the Contemporary Art Center, Vilnius, for the Baltic Triennial 14 “The Endless Frontier.” Photo: Ugnius Gelguda.

Tomasz Kowalski at Swallow, as a part of the Baltic Triennial 14. Photo: Ugnius Gelguda

Tomasz Kowalski at Swallow, as a part of the Baltic Triennial 14. Photo: Ugnius Gelguda

Tomasz Kowalski at Swallow, as a part of the Baltic Triennial 14. Photo: Ugnius Gelguda

Tomasz Kowalski at Swallow, as a part of the Baltic Triennial 14. Photo: Ugnius Gelguda

Exhibition view, ‘Authority Incorporeal’, Rupert Centre for Art, Residencies and Education, 2021.

Exhibition view, ‘Authority Incorporeal’, Rupert Centre for Art, Residencies and Education, 2021. Photo: Ugnius Gelguda

Jaakko Pallasvuo, Miša Skalskis, Rachel McIntosh, Stephen Webb Angels Instead (2020). Photo: Evgenia Levin

Jaakko Pallasvuo, Miša Skalskis, Rachel McIntosh, Stephen Webb Angels Instead (2020). Photo: Evgenia Levin

Žilvinas Dobilas, Jonas Zagorskas I was bored, (2000). Exhibition view, ‘Authority Incorporeal’, Rupert Centre for Art, Residencies and Education, 2021. Photo: Ugnius Gelguda

Žilvinas Dobilas, Jonas Zagorskas I was bored, (2000). Photo: Ugnius Gelguda.

Anni Puolakka “Feed” at Editorial, as a part of the Baltic Triennial 14. Photo: Ugnius Gelguda.

Anni Puolakka "Feed" at Editorial, as a part of the Baltic Triennial 14. Photo: Ugnius Gelguda.

Anni Puolakka “Feed” at Editorial, as a part of the Baltic Triennial 14. Photo: Ugnius Gelguda.

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