YOU CAN GAGO YOUR OWN WEYANT
If I had a dollar for every rumor I’ve heard about Anna Weyant and Larry Gagosian that isn’t true, well, let’s just say drinks on me next time.
In the year-and-a-halfish that their relationship has been semi-public, there’ve been rumors that they broke up and got back together ad infinitum—rumors that, if I were to put them into writing, would surely result in me getting sued and never being able to afford a round of drinks again—plus, of course, endless fluff from a circus of characters trying to take credit for the power-couple’s meet-cute.
Most recently, the buzz has been that the two broke up. I’ve heard this from a multitude of sources. One such source told me the breakup happened the day after Weyant’s first show at Gagosian opened uptown last November—“She got her bag, then she got out!” that source told me. A since-scrapped Page Six report had gathered different intel, concluding that the breakup had happened at some point in December. Apparently the rumored split has been quite the conversation topic du jour among the upper echelons: Mary Boone was overheard dishing about the rumored split, I heard about at least one prominent dealer with plans to ask Weyant out on a date, and apparently it even got a mention at a recent internal meeting among Jack Shainman’s staff—the professional impetus for which remains unclear. The takeaway, however, is certain: people sure love to pretend like they have insider knowledge about the art world’s most talked-about couple.
I hate to burst anyone’s bubble, but you’re, um, all incorrect. According to sources extremely close to the couple, Gagoyant is still holding firm in the new year. In fact, the two even rang in 2023 together at Gagosian’s beach house in the 1%-er enclave of Saint Barts, where he’s holidayed before.
A representative speaking on behalf of the gallery declined to comment on their boss’s current relationship status, shockingly, and Weyant didn’t immediately respond to a request for comment. So, I can really only confirm it up to the minute that my sources close to them last spoke to me. As it stands now, Weyant remains listed on the Gagosian roster, and the winds haven’t changed direction in New York City, which I imagine they would once that partnership terminates. Until then, the art world’s buzziest merger remains status quo, do not be alarmed.
JENS HOFFMANN’S SILENT PARTNERS
It’s been a while since we heard from curator Jens Hoffmann. The curator has been pretty low-key since he was removed from his role as a curator of the Jewish Museum in 2017 following an investigation over allegations of sexual harassment leveled against him by former colleagues. As it turns out, though, Hoffmann has still been fairly active in the art world, penning an essay on Anna Weyant (I mentioned her again! Drink!) and helping start up a gallery in Bogota, Columbia. Most compelling to me, however is his new appointment-only gallery in Nice, France, called Hoffmann+Maler+Wallenberg. Why’s that? Well, because his other two partners in the gallery don’t exist.
“Well, really they’re my spiritual co-pilots,” Hoffmann told me over the phone of his fictitious co-founders, Gustaf Maler (Like the composer? “Nope”) and Esther Wallenberg.
“It was a bit of a joke. It’s like, say, Hauser & Wirth or Sprüth Magers. When there’s two names involved with the gallery, people like the sound of that,” he explained further. “There’s more weight to it.” So, presumably, to add that much more oomph to his gallery name he added not one but two cosmetic surnames. Adopting a fake persona as a business strategy isn’t such a distant idea to Hoffmann either, as his partner Emily Sundblad is a director of Reena Spaulings, the famous pseudonymous artist-run-gallery. “It’s in a similar vein to that, yeah,” Hoffmann said.
In the year and a half since the space opened in France, the gallery has opened an office in Greenwich Village, and there are apparently plans to open up shop in Stockholm and Palm Springs. Thus, if the “grow or go” valuation of success means anything, Hoffmann’s deceptive little plan seems to be working. He explained, “It’s in its early phases so I’m waiting to see where it goes. I’m just happy to set this up and figure out a program that makes sense. We’re in a beginning phase, an experimental phase.”
That he formerly digital Tchotchke Gallery opened its first ever physical space in East Williamsburg at 311 Graham Avenue this week… That when Sam Orlofsky was still at Gagosian, apparently he had a special mandate that no female assistant of his could be above a size six… That Jessica Silverman has picked up representation of painter Chelsea Ryoko Wong… That Ruttkowski 68, which has spaces in Paris and Dusseldorf, has opened its third location in New York City in Cortland Alley… That a painting by up-and-coming artist Sally J. Han was acquired by the Institute of Contemporary Art Miami… That Lena Dunham mentioned in her Perfectly Imperfect essay that Lisa Yuskavage is quite the SoulCycle maven… that, speaking of art world nepo-babies, Max Werner has left his father Michael Werner’s eponymous gallery to work with TOTAH… that the Whitney has acquired one of Hugh Hayden’s fabulous basketball-hoop sculptures, Fee-Fi-Fo-Fum (2021)… That Lehmann Maupin has added Ken Tan as the director of their Singapore space…
Thomas Houseago, Henry Taylor, Albert Oehlen, and Brad Pitt took a boys trip to MoCA Los Angeles *** Speaking of mensches, Jay McInerney rang in the New Year at the Mercer Kitchen with his old pal Chef Jean-Georges Vongerichten *** Christine Brache, Charlie Kaufman, Gideon Jacobs, and Natasha Stagg read poems from the late Silver Jews frontman and former Met Breuer security guard David Berman’s book of poetry “Actual Air” at a tribute performance organized by Caveh Zahedi *** Ellie Rines hosted a dinner party at Anna Delvey‘s apartment, and Al Freeman Jr., Scott Lorinsky, Alissa Bennet, Chrissie Miller, and Jamian Juliano-Villani all stopped by for pizza and gossip (fun fact: Delvey has not watched the Netflix show about her life, but has been enjoying the series about Bernie Madoff!) *** Kembra Pfahler seems to be a new face of Batsheva *** Apparently Marc Spiegler received an inquiry that was meant for Mark Spiegler, a porn entrepreneur behind “Spiegler Girls” ***
WET PAINT QUESTIONNAIRE
It’s been a while since I’ve seen you folks. To ring in a New Year of Wet Paint, I ask you: Who in the art world is the most addicted to TikTok? Email your response to [email protected]
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