An organized march against the Museum of Modern Art’s (MoMA) board ended in a heated standoff between demonstrators and security guards at the entrance to the institution last Friday, April 30. Two security guards and one protestor were reportedly injured in the incident.
The march marked the fourth in a series of 10 “Strike MoMA” demonstrations organized by a coalition of activist groups that have united under the name the International Imagination of Anti-National Anti-Imperialist Feelings (IIAAF). About 40 people took part, according to the New York Times.
Accompanied by a police escort, the protestors marched through midtown New York, making stops in front of BlackRock, the investment company owned by controversial MoMA trustee Larry Fink, and the luxury residential buildings that make up “Billionaires’ Row,” before concluding at MoMA.
There, in a gesture against the museum’s $25 entrance fee, they attempted to enter the venue, but were denied by the venue’s security.
“As we arrived, MoMA was converted into a high-security fortress,” the activist group said in an email. “Doors were locked from the inside by other guards. Outside guards used their bodies to obstruct the entrances. The reason we were given repeatedly is this, we quote: ‘We cannot permit you to protest inside.’”
Representatives from the group told Midnight Publishing Group News that they sent MoMA director Glenn Lowry a letter a week prior, warning museum administration of their plans to enter the building. (A copy of the letter was shared with Midnight Publishing Group News.) MoMA never responded to the letter, they said.
“We anticipated a peaceful protest,” a MoMA press officer told Midnight Publishing Group News, “and we were prepared to respect and accommodate the protesters’ activity, so long as they respected New York State’s and City’s COVID-19 health and safety requirements of masking, social-distancing, and temperature screening. They refused to do so, repeatedly threatened Museum frontline staff, and said they would force their way in. Museum security personnel closed the entrance in accordance with established safety protocols because the protesters chose not to act safely or peacefully.”
The representative said that two museum security officers were “seriously injured” during the altercation. One was hit with a stick and bitten, the museum alleges, while the other had to be hospitalized after being pushed into a revolving door.
“The Museum will always act to protect the health and safety of our staff and visitors,” the representative added. “The actions we saw on Friday are never acceptable and will not be tolerated.”
Hyperallergic reported that one protestor, who also worked as an educator at MoMA for eight years, said she was struck repeatedly in the face by a museum security guard. Asked by Midnight Publishing Group News about the incident, Strike MoMA wrote, “We have no additional details about any injuries sustained beyond what the media reported on.”
Strike MoMA was organized in opposition to the alleged “toxic philanthropy” of the museum’s trustees, including Black, who announced in March that he would not seek re-election as the museum’s chairman following a public controversy over his connections to convicted sex offender Jeffrey Epstein.
Citing the research of MoMA Divest, Strike MoMA’s manifesto targets five museum board members—Steven Cohen, Glenn Dubin, Larry Fink, and Steven Tananbaum, in addition to Black—over their alleged “ties to war, racist prison and border enforcement systems, vulture fund exploitation, gentrification and displacement of the poor, extractivism and environmental degradation, and patriarchal forms of violence.”
Six more demonstrations are scheduled, happening each Friday until June 11.
In a public statement issued by IIAAF this weekend, the group condemned “MoMA leadership’s attempt to distort the nature of the confrontation at the museum.”
“The supposed threat was a group of artist dissidents, acting in the spirit of creative revolt that the museum loves to celebrate on the walls of its galleries,” the statement went on. “It’s time to put an end to this hypocrisy. Too many in our arts communities have learned to turn a blind eye to the gruesome capture of the art world by financial high-rollers with low morals. It’s not too late to stop the plunder, and remember, the fish rots from the head down.”
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